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crossconnectmag:

The Weird and Wonderful Art of Jaroslaw Jasnikowski

Currently Jasnikowski is one of the leading developers of fantastic realism in Poland, jogo paintings are in collections all over the world.
Images Jaroslaw Jaśnikowskiego are kind of relationship with the artist’s journey through unknown worlds. By creating a different reality, put it right completely different physics, mocking yourself with gravity or the properties of matter. Although in many places, “Alternate Worlds Jarka very similar to the reality that we encounter every day, it very quickly see that this apparent similarity is only pillar on which the artist builds his own world. Painting Jaśnikowskiego is also characterized by a love of the author for any kind of fantastic vehicles, machines, as well as a love for Gothic. His paintings are shrouded in dark mystery, creating a unique atmosphere characteristic of the work of this artist.
Currently, Jarek, and his wife, Kate is also a painter, graduated from the Academy of Fine Arts in Wroclaw, live and create in the village Pasiecznik in the foothills of the Jizera.

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pocaholla:

inspired by connorkawaii's post

cinemaspam:

maze
pronunciation - meɪz/

| noun 1. a network of paths and hedges designed as a puzzle through which one has to find a way.

The Master was the first motion picture in 16 years to be filmed on 65mm format using Panavision’s System 65 camera. Around 85% of the film was shot in this format, with the rest shot on 35mm. The last full-length motion picture to be shot in 65/70mm was Kenneth Branagh’s 1996 adaptation of William Shakespeare’s Hamlet. The decision to shoot in 65mm came from a desire to replicate the look of photos taken by vintage Pressman cameras, which use large-format 4x5-inch film. This also led to the use of the narrower 1.85:1 aspect ratio (65mm has a native aspect ratio of 2.2:1). Director Paul Thomas Anderson initially suggested shooting the film in VistaVision, and test footage was shot in that format, but the shallow-focus effect was not pronounced enough (x).

cinematographic:

Pulp Fiction Backs

Director: Quentin Tarantino

Cinematography: Andrzej Sekula

The Master, 2012 (dir. Paul Thomas Anderson)

cinema-snaps:

THE PRESTIGE (2006)

Director : Christopher Nolan | Cinematographer : Wally Pfister

Joaquin Phoenix as Emperor Commodus (Gladiator, 2000)

(Source: mindpalase)

henricavyll:

Se7en (1995) Directed by David Fincher.

"She begged for her life…. and for the life of the baby inside of her"